How I Painted "As One"

August 17, 2019 Austin Howlett

Hi friends, I just wanted to share my process video for my newest Terra Human piece “As One.” This piece was a pleasure to create and i wanted to document as much of the process as I could so I hope you enjoy this compilation of all the time lapses I took!

I'm proud to bring you my newest Terra Human painting "As One.” Whenever I reflect on my artistic process its always safe to say that I’ve chosen a profession that requires an incredible amount in internal motivation that solely depends on my personal drive and dedication , and while working on this piece I felt constantly driven and inspired to create something that surpassed anything I've ever created. And by creating small attainable steps for myself everyday I was able to accomplish what I set out to do! So here is the final product along with a description. Below these you will find some process photos along with some descriptions of my painting process.

Painting Description

In this piece humans and nature breath as one. The divisions that we have insisted on for generations have evaporated and we finally see ourselves reflected in the natural world that surrounds us. Plants, trees and moss start to grow with her body as her hands reach into the earth with humility and understanding. The curves and angles of her limbs are reflected in the surrounding landscape showing the balance we can achieve when we listen and reflect. As she sleeps her breath soars with the birds in the sky while her heartbeat synchronizes with the core of the earth.

Creation Process

Before approaching this painting I did a few studies first starting with a sketch, then a landscape study and lastly a figure study. When planning large paintings like this these studies become incredibly helpful in order to learn about your proportions, size ratios, values and colors. After the studies I laid out my composition with pencil on the canvas, making sure to measure out proportions early. Now that I had the pencil sketch I started to paint in small (bite sized) sections as to not get overwhelmed. I started with the figure because I knew she would be the most challenging part of the piece and I wanted to achieve a certain glow in her skin by layering paint. I very interesting tip that I recently discovered by painting many figure studies is that the face will always contain more pink color than the skin from other parts of the body. It creates a much more natural look!

Once I painted the figure to about 90% I started painting the surrounding landscape section by section paying special attention to color and value. The colors were very important in this piece, because they showed how the sunlight was hitting the mountain peak and illustrated the shadow below. Another key decisison that added to the realism of this piece was adding cast shadows behind the tress on the figure to show that this figure was indeed a part of this landscape and had her own weight and mass. And finally once I filled in each section of the surrounding landscape I evaluated the painting overall as a whole and make some small adjustments in order to make it feel cohesive and alive!

This lovely original painting is available to purchase for $3000 in my online shop! CLICK HERE TO PURCHASE!